I conceive writing and stage direction as a plastic gesture, where text is material just like bodies, objects, and images. I write and compose in fragments, assembling shards as one would pieces of a mosaic: a dramaturgy of discontinuity, ellipsis, and silence.
My narratives explore the poetry of the everyday, the meaning we strive to give life, solitude, and our relationship to others in a world losing its bearings.
On stage, I create living tableaux—spaces of corporeality and gesture where fragility meets power. I incorporate a plastic and bodily dimension into my dramaturgies: I work in touches, fragments, textures. I am drawn to fragmented dramaturgies that leave gaps to be filled, where each spectator can project their own experience.
My research intersects philosophy and visual poetry, intimate and political, aiming to invent sensitive forms that open breaches and remind us that the ordinary is extraordinary, and that every voice deserves to be heard.