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Silent beauty
In Partnership with Hans Andia
Hans Andia is a photographer, and Clémentine Aubry is a performer. Each of them explores the representation of bodies through their own medium. Together, they are developing a research laboratory where photography (fixed) enters into dialogue with performance (ephemeral). An exploration of the porosity between two languages, two temporalities, which complete, contradict, and nourish one another. In this shared complicity, the boundary between image and gesture dissolves, opening a common space for creation and reflection on the body and its representations.
In this complicity, the boundary between image and gesture efface, opening a common space of creation and questioning about the body and its representations.
In the mouth of the world / nursing journal
Paint the gesture, trace the flesh
Clementine Aubry explores breastfeeding as a daily, sensory and political act. An intimate and universal gesture, both tender and brutal.
In her work, suckling in the public space, at work, in exhaustion or in mildness, becomes imprinted with milk, body and skin.
Through this raw material, she celebrates the nurturing bond and questions the place of the female body in the social space.
A series of living natures, suspended from the mouth of the world
At the Talence Arts Forum from October 7 to November 15
Rex & Regina / Guru Beauty
Through Hans Andia’s lens: bodies. Feminine bodies, masculine bodies, and the representations our society imposes on them. What relationship do we have with the “perfect” body? What mental burden arises from the duty to be attractive for others?
This research builds on Clémentine Aubry’s Sororae performances art (formerly Guru Beauty )where the stage becomes a ritual of emancipation.
From the encounter between photographic image and performative gesture emerged the Rex & Regina series, in which each shot becomes a trace, a memory, and a reinvention of bodies freed from societal injunctions.



















WARRIORS
2021-2024
linocuts prints
Warriors A series of linocuts celebrating the power of the female body. Inspired by the reading of Monique Wittig’s Les Guerrillères, the artist brings forth figures that are free, intimate, and connected to nature and the spiritual.
Fragments of bodies and whole bodies become those of modern warriors, fighting against the gaze that confines them and reclaiming their own mythology. These images are liberated Amazons, new representations of a freedom in the making.















Seirn
2019 Series
Acrylic on kraft paper
Resumed 2026
Seiren from ancient Greek (Seyrn)refers to mythical creatures that were half-women, half-birds, later evolving into the sea sirens of our imagination.






